ESA Space Science

The largest photomosaic of the Andromeda galaxy, assembled from NASA/ESA Hubble Space Telescope observations, unveils hundreds of millions of stars. It took more than 10 years to collect data for this colorful portrait of our neighbouring galaxy and was created from more than 600 snapshots. This stunning, colourful mosaic captures the glow of 200 million stars, and is spread across roughly 2.5 billion pixels.

This is a new artist’s animation of our galaxy, the Milky Way, based on data from ESA’s Gaia space telescope.

Gaia has changed our impression of the Milky Way. Even seemingly simple ideas about the nature of our galaxy’s central bar and the spiral arms have been overturned. Gaia has shown us that it has more than two spiral arms and that they are less prominent than we previously thought. In addition, Gaia has shown that its central bar is more inclined with respect to the Sun.

No spacecraft can travel beyond our galaxy, so we can’t take a selfie, but Gaia is giving us the best insight yet of what our home galaxy looks like. Once all of Gaia’s observations collected over the past decade are made available in two upcoming data releases, we can expect an even sharper view of the Milky Way.

Click here to download the still image of the Milky Way.

The European Space Agency’s Milky Way-mapper Gaia has completed the sky-scanning phase of its mission, racking up more than three trillion observations of about two billion stars and other objects over the last decade to revolutionise the view of our home galaxy and cosmic neighbourhood.

The European Space Agency's XMM-Newton has detected rapidly fluctuating X-rays coming from the very edge of a supermassive black hole in the heart of a nearby galaxy. The results paint a fascinating picture that defies how we thought matter falls into such black holes, and points to a potential source of gravitational waves that ESA’s future mission, LISA, could see.

On 8 January 2025, the ESA/JAXA BepiColombo mission flew past Mercury for the sixth time, successfully completing the final ‘gravity assist manoeuvre’ needed to steer it into orbit around the planet in late 2026. The spacecraft flew just a few hundred kilometres above the planet's north pole. Close-up images expose possibly icy craters whose floors are in permanent shadow, and the vast sunlit northern plains.

On 8 January 2025, the ESA/JAXA BepiColombo mission will fly just 295 km above Mercury's surface, with a closest approach scheduled for 06:59 CET (05:59 UTC). It will use this opportunity to photograph Mercury, make unique measurements of the planet’s environment, and fine-tune science instrument operations before the main mission begins. This sixth and final flyby will reduce the spacecraft’s speed and change its direction, readying it for entering orbit around the tiny planet in late 2026.

At the start of this new year, we look back at close-up pictures and solar flare data recorded by the ESA-led Solar Orbiter mission over the last three years. See and hear for yourself how the number of flares and their intensity increase, a clear sign of the Sun approaching the peak of the 11-year solar cycle. 

This video combines ultraviolet images of the Sun's outer atmosphere (the corona, yellow) taken by Solar Orbiter's Extreme Ultraviolet Imager (EUI) instrument, with the size and locations of solar flares (blue circles) as recorded by the Spectrometer/Telescope for Imaging X-rays (STIX) instrument. The accompanying audio is a sonification based on the detected flares and the spacecraft's distance to the Sun.   

Solar Orbiter moves on an elliptical path around the Sun, making a close approach to our star every six months. We can see this in the video from the spacecraft's perspective, with the Sun moving closer and farther over the course of each year. In the sonification, this is represented by the low background humming that loudens as the Sun gets closer and becomes quieter as it moves further away. (There are some abrupt shifts in distance visible in the video, as it skips over dates where one or both instruments were inactive or collecting a different type of data.)  

The blue circles represent solar flares: bursts of high-energy radiation of which STIX detects the X-rays. Flares are sent out by the Sun when energy stored in 'twisted' magnetic fields (usually above sunspots) is suddenly released. The size of each circle indicates how strong the flare is, with stronger flares sending out more X-rays. We can hear the flares in the metallic clinks in the sonification, where the sharpness of the sound corresponds to how energetic the solar flare is. 

Many thanks to Klaus Nielsen (DTU Space / Maple Pools) for making the sonification in this video. If you would like to hear more sonifications and music by this artist, please visit: https://linktr.ee/maplepools 

Solar Orbiter is a space mission of international collaboration between ESA and NASA, operated by ESA. 

An ethereal dance of misty clouds of interstellar dust with a myriad of distant stars and galaxies speckled like paint drops over a black canvas. This is a sonification of a breathtaking image taken by ESA's Euclid space telescope of the young star-forming region Messier 78. 

The sonification offers a different representation of the data collected by Euclid, and lets us explore the stellar nurseries in M78 through sound. Close your eyes and listen to let the cosmic image be drawn by your mind’s eye, or watch as the traceback line in this video follows the sounds to colour the image from left to right.  

The twinkling sounds of various pitches and volumes represent the galaxies and stars in the frame. The pitch of the sound points towards where we see the dot of light in the image. Higher pitches tell us that a star or galaxy appears further at the top in the image along the traceback line.  

The brightness of these objects in and around M78 are represented by the volume of the twinkles. Whenever we hear a particularly loud clink, the star or galaxy that Euclid observed appears particularly bright in the image. 

Underlying these jingling sounds, we can hear a steady undertone, made up of two chords which represent different regions in Messier 78. This sound intensifies as the traceback line approaches first the brightest, and later the densest regions in the nebula.  

The first two deeper crescendos in this undertone indicate two patches in the image where the most intense colour is blue/purple. These appear as two ‘cavities’ in M78, where newly forming stars carve out and illuminate the dust and gas in which they were born. 

The chords intensify a third time at a slightly higher pitch corresponding to the red-orange colours in the image, as the sound draws over the densest star-forming region of the frame. This stellar nursery is hidden by a layer of dust and gas that is so thick that it obscures almost all the light of the young stars within it.  

As the sound traces over the entire Euclid image, these different tones together form a cosmic symphony that represents the image of Messier 78, and the stars and galaxies that lie behind and within it. You can read more about this image that was first revealed to the eyes of the world earlier this year here.  

Many thanks to Klaus Nielsen (DTU Space / Maple Pools) for making the sonification in this video. If you would like to hear more sonifications and music by this artist, please visit: https://linktr.ee/maplepools 

On 9 December 2024, the Smile Platform arrived safely at Amsterdam Schiphol airport and was subsequently transported to ESA's European Space Research and Technology Centre (ESTEC) in Noordwijk, the Netherlands. It came a long way, having travelled all the way from Shanghai, China.  

This marks an important step in the Smile mission, as the spacecraft's two halves are now in the same location, ready to be joined together. Launching in around a year from now, Smile will study space weather and the interaction between the solar wind and Earth’s environment. 

The Platform, built by the Chinese Academy of Sciences (CAS), includes the propulsion and service modules responsible for powering, steering and controlling the spacecraft. The European half of the spacecraft –  the so-called Payload Module – was built by Airbus in Madrid and is already at ESTEC. It hosts three of the four science instruments of the mission, commands all four of them and downlinks all the data back to Earth. 

The Platform didn't travel alone. It was accompanied by a team of Smile engineers and managers from CAS. They will closely work together with their European counterparts from ESA and Airbus during the coming ten months to assemble the Smile spacecraft and fully test it at ESA's ESTEC Test Centre. 

After that, Smile will be shipped to Europe's Spaceport in Kourou, French Guiana. Its launch is planned for late 2025. 

All Let's Smile videos will be listed here: Let's Smile

Explore the immense power of water as ESA’s Mars Express takes us on a flight over curving channels, streamlined islands and muddled ‘chaotic terrain’ on Mars, soaking up rover landing sites along the way.

This beautiful flight around the Oxia Palus region of Mars covers a total area of approximately 890 000 km², more than twice the size of Germany. Central to the tour is one of Mars’s largest outflow channels, Ares Vallis. It stretches for more than 1700 km and cascades down from the planet’s southern highlands to enter the lower-lying plains of Chryse Planitia.

Billions of years ago, water surged through Ares Vallis, neighbouring Tiu Vallis, and numerous other smaller channels, creating many of the features observed in this region today.

Enjoy the flight!

After enjoying a spectacular global view of Mars we focus in on the area marked by the white rectangle. Our flight starts over the landing site of NASA’s Pathfinder mission, whose Sojourner rover explored the floodplains of Ares Vallis for 12 weeks in 1997. 

Continuing to the south, we pass over two large craters named Masursky and Sagan. The partially eroded crater rim of Masursky in particular suggests that water once flowed through it, from nearby Tiu Vallis.

The Masurky Crater is filled with jumbled blocks, and you can see many more as we turn north to Hydaspis Chaos. This ‘chaotic terrain’ is typical of regions influenced by massive outflow channels. Its distinctive muddled appearance is thought to arise when subsurface water is suddenly released from underground to the surface. The resulting loss of support from below causes the surface to slump and break into blocks of various sizes and shapes.

Just beyond this chaotic array of blocks is Galilaei crater, which has a highly eroded rim and a gorge carved between the crater and neighbouring channel. It is likely that the crater once contained a lake, which flooded out into the surroundings. Continuing on, we see streamlined islands and terraced river banks, the teardrop-shaped island ‘tails’ pointing in the downstream direction of the water flow at the time.

Crossing over Ares Vallis again, the flight brings us to the smoother terrain of Oxia Planum and the planned landing site for ESA’s ExoMars Rosalind Franklin rover. The primary goal of the mission is to search for signs of past or present life on Mars, and as such, this once water-flooded region is an ideal location.

Zooming out, the flight ends with a stunning bird’s-eye view of Ares Vallis and its fascinating water-enriched neighbourhood. 

Disclaimer: This video is not representative of how Mars Express flies over the surface of Mars. See processing notes below.

How the movie was made

This film was created using the Mars Express High Resolution Stereo Camera Mars Chart (HMC30) data, an image mosaic made from single orbit observations of the High Resolution Stereo Camera (HRSC). The mosaic, centred at 12°N/330°E, is combined with topography information from the digital terrain model to generate a three-dimensional landscape. 

For every second of the movie, 50 separate frames are rendered following a predefined camera path in the scene. A three-fold vertical exaggeration has been applied. Atmospheric effects such as clouds and haze have been added to conceal the limits of the terrain model. The haze starts building up at a distance of 300 km. 

The HRSC camera on Mars Express is operated by the German Aerospace Center (DLR). The systematic processing of the camera data took place at the DLR Institute for Planetary Research in Berlin-Adlershof. The working group of Planetary Science and Remote Sensing at Freie Universität Berlin used the data to create the film.